Hello, darkness, my old friend

A man on boat on dark water.

I recently finished reading Learning to Walk in the Dark, in which Barbara Brown Taylor pursues literal, physical darkness as a spiritual discipline. She explores the gifts of lunar spirituality to counteract the American church’s preference for full solar spirituality. There are things to learn in the darkness that you’re not going to find when you’re always trying to stay the bright light.

To my favorite biblical passage about darkness, “Moses approached the thick darkness where God was” (Exodus 20:21 NIV), I got to add this one:

And I will give you treasures hidden in the darkness—secret riches.
I will do this so you may know that I am the Lordthe God of Israel, the one who calls you by name. (Isaiah 45:3 NLT)

Brown Taylor goes for walks in the dark, spends a night in a cabin with no electricity, and reads about the Dark Night of the Soul, but the part of the book that is sticking with me the most is her discussion of wild caving (going into the parts of caves that are not nicely prepped for tourists). She quotes Barbara Hurd’s book, Entering the Stone:

When you’re stuck in a squeeze, the best response is to study the rock and pay attention to where you are and how your body feels.

Which is also good advice for those stuck in an emotional squeeze of grief and pain. The more you thrash against the constriction, the more you panic, the less able you are to see how you will get through.

It’s also the source of my new favorite phrase: The only way out is the way in. Brown Taylor also puts it another way: The only way out is through. In caving, you literally exit by backtracking. Emotionally and spiritually, it means that the only way out of the dark emotions is through them — not denying them, not burying them, not pretending they have no sway. But examining them, there in the dark, seeing what they are saying about you, about your circumstances, what they might be telling you about God. (Note that she differentiates between this process and depression: her book is not a suggestion to forgo medication if you need it.) Her final wish for us is that we get curious about our darkness.

I found this wonderfully freeing. I’ve always been a rather passional feeler of my feelings, and in the last five months, I’ve certainly let wash over me whatever the daily wave of feeling was: grief, sadness, pain, joy, determination. Not denying them. Not pretending them away. I appreciate Brown Taylor’s assurance that this can be a spiritually healthy practice.

***

So, of course, now I read about darkness everywhere.

***

In How To Live Life, John Vorhaus talks about facing a situation we’re sure is hopeless:

If this feeling is strong enough, it snuffs out all thoughtful reflection. Night descends and the spirit quails, brought low by the assumption of failure (p.30).

His solution:

You don’t need to fix a problem the minute you see it. (Yikes! I’m in a bad situation! Must flee!) And you don’t have to assume that it can’t be solved. You can choose to look at your circumstances frankly and gently, with acceptance….It’s so weird. We won’t look at ourselves honestly for fear of feeling worse, yet every time we look at ourselves honestly, we end up feeling better (p.70)

Vorhaus is so wonderfully blunt: ask yourself the big questions, dare to answer them, use your imagination and your curiosity, gather information to equip yourself with new insights, eagerly engage with the world and investigate any mystery it presents (including the mystery of you).

***

It’s even showing up in my fiction. I’ve been reading the last books of the City Watch books of the Discworld series by Terry Pratchett, and Commander Sam Vimes confronts darkness, his and a mythic darkness, very directly. In Thud!, he becomes possessed by an ancient entity called the Summoning Dark — but not taken over. As a copper who’s worked the night shift most of his career, he knows all about darkness, both literal and internal. He knows the darkness in his soul, and he’s prepared to shake hands with it, use the zeal it gives him to pursue justice, but to not let it overtake him so that he ignores his values. This enables him to use the Summoning Dark, and to develop a relationship with it, without it possessing him. The S.D. leaves when it discovers how at home Sam is in his own darkness, but it gives him a scar, and gives him gifts: Sam can see in the dark, and converse with the S.D. when he needs to for a case.

This is the conversation from Thud! between the S.D. and inside-Sam (the first line is his):

“…Who watches the watchmen? Me. I watch him. Always. You will not force him to murder for you.”
“What kind of human creates his own policeman?”
“One who fears the dark.”
“And so he should,” said the entity, with satisfaction.
“Indeed. But I think you misunderstand. I am not here to keep the darkness out. I am here to keep it in.” There was a clink of metal as the shadowy watchman lifted a dark lantern and opened its little door. Orange light cut through the blackness. “Call me… the Guarding Dark. Imagine how strong I must be.”
The Summoning Dark backed desperately into the alley, but the light followed it, burning it.
“And now,” said the watchman, “get out of town.”

 I also love this one, from Snuff, about the distinction between being acquainted with the dark and being the darkness:

he wondered if one day that darkness would break out and claim its heritage, and he wouldn’t know … the brakes and chains and doors and locks in his head would have vanished and he wouldn’t know.

Right now, as he looked at the frightened child, he feared that moment was coming closer. Possibly only the presence of Feeney was holding the darkness at bay, the dreadful urge to do the hangman out of his entitlement of a dollar for the drop, thruppence for the rope and sixpence for his beer. How easy it is to kill, yes, but not when a smart young copper who thinks you are a good guy is looking to you. At home, the Watch and his family surrounded Vimes like a wall. Here the good guy was the good guy because he didn’t want anyone to see him being bad. He did not want to be ashamed. He did not want to be the darkness.

***

Don’t you just love it when everything seems to conspire to communicate with you about the same topic?

And don’t get me started on the other one — ASK. This post is already too long.

Clarity Hangover

There are few times in life when what you should do is utterly clear. About nine years ago, I left my kids and husband in the States for four days, and went to Canada to take care of my cousin, Esther, who was dying of metastatic colon cancer. I was providing weekend relief for her father, my uncle, who’d been providing 24-hour care for months.

My main tasks were to “burp” her colostomy bag throughout the day and night so it wouldn’t explode from gas build-up, give her all her medicines at the right times, try to get her to eat and drink, and help her go to the bathroom. The colostomy bag job was smelly. She didn’t really want to eat or drink, and she’d always hated taking pills, especially giant doozies like these, so it took a long a time for any ingestion to happen. Even with all the meds, she was often in pain to the point of it seeming cruel that pain alone couldn’t kill a person. It turned out that I was the last person to get her all the way out of bed, the last person to help her use the potty.

The job was messy, and smelly, and sad, and my sleep was constantly interrupted.

Those were four of the best days of my life.

They weren’t the best days in spite of all the mess and stink and grief, but because of them. My job was so clear: all I had to do was take care of her. Her needs were clear. I’m still proud that she told me I could be a nurse, I was taking such good care of her.

We had lovely moments: laying on her bed together during her lucid times, going through her jewelry box, sorting through mementos, telling stories about our childhoods and our Oma, sampling the nice-smelling lotions people gave her. Choosing what she gave me.

E's gifts to N

She asked me at least once a day whether we were square, or whether anything needed saying between us. We were good. She was good.

All she wanted to do was see her daughter, her lively, beloved, long-awaited little girl, who was three. I have a memory of the little one jumping on the bed, and it hurt Esther, but her daughter was giggling and happy, so she withstood the pain for awhile. Her daughter still has an irresistible laugh — in fact, her out-of-control, crazy laugh is just like her mother’s.

***

This post was going to start with Esther and then move to how rare clarity is, and how I’ve had it the last four months — terrible clarity fueled by anger. And about how the shell of my anger is cracking, and how it’s easier and more satisfying to be angry than to live in my hurt.

But I know how to live with grief and hurt. Next week would have been Esther’s 48th birthday; she was 39 when she died. We were born only one month and eight days apart. Our Opa was our minister, and he wouldn’t baptize me until he could do both of us, so by the time it happened, I was too fat for the lovely baptism dress my mother had sewed for me.

N's baptism dress

We were friends from the start — not always uncomplicated friends. My parents still talk about watching her shove some of her mother’s forbidden china into my hands to throw me under the bus when her mom saw her with the tea cup. Her mother gave her thick hair beautiful ringlet curls when I barely had enough hair to comb.

N and E toddlers

In fifth grade, when I came back from three years in Australia and started at our tiny alternative Christian school, she was often the ringleader of my social exclusion, telling me once, “I’m so glad you finally started wearing pants. We’d decided to tell you not to come to school until you did.”

But we also ran around the beautiful Mt. Pleasant cemetery, making up spy clubs and freaking ourselves out. We took photos of each other taking photos of the other.

N taking photo of EN taking photo of E 2

We made chocolate frosting and ate the whole batch. We tried making 7-Up pancakes, but they didn’t cook in the middle, and scrambling them made the whole thing worse — it was over 20 years before I attempted pancakes again. We went on crazy diets at the cottage and then broke them with feasts of saltines and liverwurst. The first time I got drunk was with her. We lived together for a year in college, when she’d walk around the house singing snippets of “Walking After Midnight” and “Crazy” all the time. All. The. Time. We closed the curtains and had an impromptu dance party one night, grooving to Peter Gabriel’s “Sledgehammer.” She loved to visit me when I lived in New York.

N and E at Sonali

She always sent me the photos she took on visits.

N and E at K's wedding

She gave wonderful baby gifts.

W in E's gift H in E's gift

When I’d visit Toronto, she’d make sure there was a party so I could see everyone.

Damn cancer.

***

If I think back to that time, as well as reflect on the time I’m in right now, I think I’ve got a bit of a clarity hangover. That kind of clarity is intense and wonderful, but also terrible and unsustainable. Afterwards, we’ve got to learn how to live with it. So that’s what I’m doing.

***

If any of you have made it this far (thank you!), I invite you to share your own stories of times of clarity, your own stories of Esther, your own stories of people cancer has stolen from you. We’re all in this together.

Thank you, kids, for calling me out

Integrity can be so inconvenient.

Having children has taught me so much:

  • Rice is easier to clean up if you let it sit on the floor for an hour or so.
  • There is darkness in my soul.
  • Being truthful with kids and following up on what you say builds trust.

And one other little, teeny weeny tiny thing:
If I am remotely hypocritical, they will call me on it.

I often spotted my hypocrisy myself when they were younger. When my son was 2 or 3, I swatted him on the butt for hitting his baby sister, but the act of hitting a child while telling them not to hit a child felt so illogical that I never did it again. Instead, I used this airtight argument:

“I don’t hit or push you when I’m upset with you or you don’t do what I want, so you may not do it. That’s not how people solve problems.”

Now that they are both teenagers I, like many other parents, regularly nag them about doing something other than being in front of screens of one kind or another all the time, and I maintain the rule of no phones / laptops / iPads in their bedrooms at night. But then my son noted that I keep my phone and laptop in my room at night.

Yup.

I do.

Every night.

Now, I have my reasons. The phone I keep up there because if there’s a problem in the night, I want to have quick access to it. A few days after getting rid of the landline, one of the kids needed to be picked up from a sleepover in the middle of the night, and it didn’t happen because the cell phones were downstairs. So that’s a safety issue; it stays with me.

The laptop is another story: I’m afraid I won’t be able to fall asleep without it.

It started during my third year of college, when a roommate moved out and left me her ancient little black-and-white TV (bunny ears included). I enjoyed winding down at night with a little Johnny Carson and David Letterman. The next year, when I lived alone, I grew to rely on late-night comedians (and the occasional middle-of-the-night infomercial) to relax me enough that I could fall asleep. It continued through graduate school, and after I was married (marrying a night owl meant that I still fell asleep on my own most nights), and became a firmly entrenched part of my sleep process.

I managed to interrupt this pattern this Spring (The good that I should do, yadda, yadda, yadda), but then I slid back into it, and when my marriage imploded in August, hardcore insomnia moved in and the laptop was my only comfort.

And then my son had to go and point out my hypocrisy. Which means it’s time to give it up. Again. Starting on the time-honored date of January 1, 2016.

My heart rate sped up, just typing about it. I’m scared. But my forties have taught me that being afraid is not a sufficient reason to avoid it, and that fear often indicates that Resistance is trying to steer me away from healthy change. I’ve also learned that I can do hard things.

So on Friday night, I will leave the laptop downstairs. The Kindle is loaded with all sorts of books, I’ve learned how to borrow ebooks from my library, and I’m hopeful. My kids are the secret weapon: I’ll repeatedly disappoint myself, but I’ll fight like crazy to avoid disappointing them.

 

Our first job was to rest

Siesta Now In Progress, by quicksandala, from morguefile.com
Siesta Now In Progress, by quicksandala, from morguefile.com

So God created human beings in his own image. In the image of God he created them; male and female he created them…. And evening passed, and morning came, marking the sixth day. So the creation of the heavens and the earth and everything in them was completed. On the seventh day God had completed his work of creation, so he rested from all his work. (Genesis 1:27, 31, 2:1-2)

Whether we believe in a literal seven 24-hour days of creation or not, we can agree that the story of the Creation tells us important things about ourselves and about God. Typically, these verses are an argument for us to take a day of rest after we’ve completed our work.

But here’s the thing: we are not God.

God is God and we are part of the Creation.

God worked for six days and then rested. We were created, and then our first day was a blessed day of rest. Humanity’s first task was to enjoy this new creation. To explore. Perhaps to stroll with the Lord in the Garden. To commune with our Creator. Our first experience was of community, of people together who are together with God.

Our first job was to rest.

He lets me rest in green meadows;
    he leads me beside peaceful streams.
He renews my strength. (Psalm 23:2-3)

God repeatedly promises rest (and its good friend, peace).

The Lord replied, “I will personally go with you, Moses, and I will give you rest… (Exodus 33:14)

Then Jesus said, “Let’s go off by ourselves to a quiet place and rest awhile.” (Mark 6:31)

You will live in joy and peace.
    The mountains and hills will burst into song,
    and the trees of the field will clap their hands! (Isaiah 55:12)

Then Jesus said, “Come to me, all of you who are weary and carry heavy burdens, and I will give you rest. Take my yoke upon you. Let me teach you, because I am humble and gentle at heart, and you will find rest for your souls. For my yoke is easy to bear, and the burden I give you is light.” (Matthew 11:28-30)

So let’s put a pause on all our striving and rest, enjoy, commune, connect — with each other, and with the Lord. Rest was, after all, our first job.

Best Christmas pageants ever

Carving on a log bench at Moseley Bog, Birmingham, UK. Photo by Ian Cuthbert.
Carving on a log bench at Moseley Bog, Birmingham, UK. Photo by Ian Cuthbert.

I’ve gone to the big productions that have clearly been rehearsed for hours and hours, that involve lighting and live animals and stars hoisted on high using seamless mechanics. They are impressive. And I’m glad people do them.

But the kind of Christmas pageant I like is small and a little loose and has room for all kinds of people in the inn.

Pageants with an adult with Down Syndrome as the angel who came to Mary and Joseph, saying, “Do not be afraid. Be joyful,” loudly and clearly into the microphone despite her nerves.

Pageants with a dear brother and sister team as Mary and Joseph, because that’s who they wanted to be (and hopefully didn’t notice the adults giving each other little shrugs and smiles over their heads during rehearsal).

Pageants with a recovering addict as the prophet, dancing her prophetic word.

Pageants with little kids in sheep costumes who cannot be controlled and wander down the aisle early to see their grownup, and meander down the aisle way after everyone else is already in their spots. With a little dude who’d wanted to be a sheep, but I made him a shepherd, and he did it without a fuss. With a little boy shepherd who would only be in the program if his mother also dressed up as a shepherd with him, who wound up striding confidently down the aisle without his mother — because she was caring for a sheep who was upset about her broken headband.

Pageants with a wide array of wise ones/Magi: a woman with Down Syndrome, a teenage boy bribed to be there by his mother, and a college-age woman who volunteered ten minutes before the service started.

Pageants with teenage girls shedding the self-consciousness that often comes with their age, and dancing beautifully as angels, doing their own choreography.

Pageants with children’s choirs that have a mix of loudly enthusiastic and totally silent, wide-eyed participants, that are led by a man who manages to create an atmosphere where the soloists are the children who are often anxious and nervous, but bust out their parts with total confidence.

Pageants with parts that can be played by children who never came to a rehearsal, or who are visiting church that Sunday, but are willing to put on a costume and follow along.

Pageants that are part of a regular church service, folded into the liturgy, so the kids and the people who are often considered the recipients of ministry, are the ones up there ministering.

This is the kind of pageant I like best — not remotely perfect, but you just want to hug everyone in it.

I wish I had pictures of this year’s pageant, but I was too busy getting everyone in costume and into the sanctuary on time. And laughing. Honestly, I was too busy laughing at the glorious chaos.

For this Advent season, my wish for you is that you stay alive to moments that surprise you with joy — they may not be the impressive moments, they may not happen when they’re supposed to, they may contain unlikely characters, and they may sometimes involve tears. But your joy will be full.

 

 

I wish we each had a Lying Cat

There is one fictional character that I want to be real more than any other: Lying Cat from the comic book series, Saga, by Brian K. Vaughn and Fiona Staples.

Lying Cat is not pretty.

lying cat is not pretty

But Lying Cat has a special ability: she can tell, definitively, when anyone is lying — lying to others, but also, and even more powerfully, lying to oneself.

She accompanies a bounty hunter, The Will, who makes use of this ability in his work: she’s able to call out his potential employers and any leads he interrogates on any lies they may be trying to get away with. It’s satisfying to watch this.

Lying Cat calls out The Will's employer

And entertaining when Lying Cat catches The Will.

The Will tries to fool himself

But Lying Cat proves her true power after The Will rescues Slave Girl (later named Sophie) from her sex traffickers. For two panels, she’s talking to Lying Cat, telling her all kinds of things: “My name is Sophie. I am six and a half years old. I can stand on one leg for a real long time. My favorite color is blue-green. I want to be a doctor or a dancer when I grow up.” Throughout this, Lying Cat remains silent. And then there’s this:

lying-cat

And Sophie knows she is not all dirty inside because of what was done to her. Because Lying Cat’s supernatural ability is definitive.

* * * *

I just came from a funeral for a 17-year-old classmate of my children, a young woman who took her own life. It was an amazing service, full of tears, and singing, and telling of emotional truths.

But I couldn’t help thinking about the lies that young woman had to believe in order to kill herself, lies that came from her own mind — that it’d be better if she weren’t here, that the pain would never go away, that there was no hope, or whatever she was telling herself. And I couldn’t help thinking of the kids at the funeral who were currently or had been suicidal; I know there were some.

How wonderful it would be to give each of them a Lying Cat to follow them around, who they’d believe when it said, “That thought is a lie.”

The lies of depression are so enticing, because they often involve a truth. With Slave Girl/Sophie, she felt dirty because of all the things done to her, but she, as a person, was not worthless because of it. When I’ve been in the grip of depression, it always felt like I was telling myself deep truths about my reality, but they were only ever half-truths. Which means they were half-lie.

Here are some truths that speak to the lies of depression:

You are not worthless.

You are not ruined.

You can get through it.

It does get better.

There is hope.

It won’t be easier for everyone if you are gone.

It’s not all your fault.

You are loved and treasured and valued.

You are worth the effort.

But I’m not Lying Cat, I’m just a random grown-up, so my words don’t carry the weight of a supernatural ability. I’m a grieving grown-up in the grips of some magical thinking, imagining that if we could give Lying Cat to each suicidal teenager, it would make a difference.

It’s a lovely fantasy. The reality is much tougher. We have to be Lying Cat for each other. But we have an advantage over Lying Cat, because we have a greater vocabulary. We can not only identify a lie, we can also tell the truth. We have to tell the full truth to each other, and tell it often enough that we start to believe it.

 

 

 

 

I needed you, and you came through

pillars

A lot has happened this fall that I never expected, and pretty much everything in my life has changed, is changing, or has been thrown into question. (see post about the end of my marriage) Some days, I’ve cried so much that I didn’t have to pee in the morning.

What can I be thankful for beyond mere survival?

But tomorrow’s American holiday of Thanksgiving has got me weepy with gratitude. Because of what feels like a throng of supporters.

Some people I knew would help. My parents have given me support both financial and emotional; they bought me a new bed, my dad came with me to meet the lawyer, my mother keeps loading me with food, and she spent a day crouched down in my garden to help me weed. My in-laws slip me grocery store gift cards, get piles of stuff for us on CostCo runs, and deliver delicious home-baked goodies. My siblings (both biological and by marriage) have been wonderful. My bookclub ladies gathered around me one Sunday morning instead of going to their churches with their families; they brought me dinners, weeded my garden, and continue to send me encouraging notes and little gifts. My two divorced friends have commiserated with me and given me the benefit of their experience. My kids have been ridiculously good to each other and to me.

And then there’s my church. We’ve only been there a few years, but they are my true church home. There have been so many notes of support, hugs, prayers, blessings, dinners, gift cards and money given to us (both by people who sign their name and by people who want to remain anonymous), so many coffees with my pastor, and two powerfully good prayer meetings with women in the congregation. People took over some of my volunteer duties until I could take the helm again. And my ribbon dancers continue to bring me joy.

Then there are the notes from people in my wider social group, the flowers left on my doorstep, the dear notes and gifts from some of my friends’ parents, from friends of the family, from uncles and aunts and cousins. And the kind notes from you, my dear readers, after I wrote about the end of my marriage.

In include in this litany, the people who’ve stuck by and supported my husband through his deep struggles.

Not to mention the friend who has given me work, and hope for a full-time job in the future.

And the whole insane Kickstarter thing in the middle of all this upheaval: the 215 backers who supported our book for adopted and fostered kids and their families, and even more who shared the project with their networks.

I’ve been overwhelmed by support. And now I’m overcome by gratitude.

In fact, this might be my most grateful Thanksgiving ever. At the same time, it’ll be my most difficult Thanksgiving: I’ll be spending the day with my husband and his family (and a dozen other people). It’ll be fine, it’ll probably even be good, but my anxiety is ramping up. So if you’re in my throng, please send me prayers or good vibes, as you’re inclined.

This fall, I really needed help, and you came through. You are a pillar. I am grateful.

 

Sometimes we all need a little tenderness

cheek to cheek

I was to them like those who lift infants to their cheeks.
Hosea 11:4 (NRSV)

Not everyone is a baby person. But for those who are, there’s something about a baby cheek. You want to stroke it. You want to plump it with a fingertip to see whether you can prompt a smile. You want to go cheek to cheek with it.

Those sweet interactions are tender and lovely, and totally unnecessary.

You can take excellent care of a baby’s needs without ever lifting them to your cheek. You can protect, feed, clothe, diaper, rock, walk, read, and talk with a baby, all with great love, without ever going cheek to cheek. You can enjoy a baby’s cuteness, exclaim over its chubbiness or its little elfin face without craving the feel of that velvety new skin against yours.

But a baby person can’t.

And here’s the thing: in this verse, God reveals himself as a baby person.

The Bible is full of the giant, impressive deeds of God, and they are awesome. When the Bible speaks of the love God has for us, it’s most often in terms of how he saves his children, how he protects them, feeds them, gives them good things.

All those things are true, but God-the-baby-person also craves those moments of tender connection with us, his babies, of celebrating our sweet neediness, of soothing our fussiness by bringing us right up to his face and cooing to us.

If you, like me, could use a little tenderness these days, imagine yourself as that baby that God just can’t wait to go cheek to cheek with. Because that’s who you are: a baby who doesn’t have to do anything to inspire this except for exist. And the creator of the universe can’t wait to bring you to his face and delight in you.

 

Image found here: http://www.morguefile.com/archive/display/167368

A mighty tree has fallen

A mighty tree has fallen.

fallen tree

It wasn’t the oldest tree in the forest, but it had over twenty years of growth. It was the mightiest tree I’d ever been a part of growing.

It was my marriage. Which has ended.

In so many ways, it was a great and strong marriage with deep roots in shared backgrounds, faith, values, creativity, and parenting. We lived so much of what we’d vowed twenty-one years ago.

But like many trees that look strong but fall down anyway, there was a problem at the core. A hollowness that weakened the tree where nobody else could see it. A secret grief that the tree knew was there, but didn’t know the extent of, so attempts to fix it couldn’t succeed.

hollow core

This makes it sound all nice and natural and inevitable, but the truth is that it’s horrible and sad. A mighty tree has been ripped from the ground that nurtured it: it has died.

I draw encouragement from the forest, where trees, both mighty and new, fall all the time.

fallen trees in the forest

Those trees do not fall in vain. Forest creatures use them for shelter and find food in them.

broken down tree

They break down and provide nutrients for growing plants.

decomposing tree

I could say something about hoping that I will still shelter, feed, and even nurture new growth, but I don’t have the energy for that. I am still in the midst of the grieving and anxiety. The detritus that got kicked up hasn’t settled yet.

* * * *

Even in the midst of this, there is good news. The publishing company known as West Olive Press made its crowd funding goal for As Real As It Gets, so our illustrator, Joel Schoon-Tanis, will get to painting and we’ll publish our picture book next year. And I found out yesterday that I got a writing job (part-time for now, hopefully full-time to come).

I’m doing a lot of just taking the next step without trying to look into the future, which is unusual for me, because the future hasn’t been sullied by reality yet, so it’s fun to imagine.

Here’s to taking the next step, even in the midst of grief and anxiety.

 

 

The Spider and the Aerial Violinist

[This is the story I wrote for Heat Two, Round One of the NYC Midnight Flash Fiction contest. It got me 7th place in my group, which added to my earlier 2nd place, and I got through to the next round for the first time. My prompts: it had to be a romantic comedy that took place in an orchestra pit and involved a spider.]

The Spider and the Fly Art by Tony DiTerlizzi
The Spider and the Fly
Art by Tony DiTerlizzi

 

Mateo was being lowered to me. The orchestra pit was dark. My violin made the only sound.

Our opening move, with him lifting my limp body out of the pit, seemingly with one arm, was my favorite. The way his bicep hardened as if he really were holding me by his own power was delicious.

As I reached the adagio section, I looked up, right into two dinner-plate-sized bulbous black eyes flanked by four soup-bowl-deep eyes that flashed iridescent green and blue. I was as mesmerized as the script called for me to be.

The giant spider glided down, its fangs pointed right at me.

My bow skittered across the strings and out of my hand. Still, I didn’t move until the beast tilted and I could distinguish the man underneath the costume.

“Leila?” He sounded both concerned and amused.

“Eight years with Cirque and I never dropped my bow.” I picked it up and pointed it at him. “Never.” I yelled, “Francesca, you’re a cruel genius.”

There was a “whoop” from the auditorium before the director’s voice came over the P.A. “From the top. Just mark it.”

Take two wasn’t much better. I managed to hold onto my bow and get into position for him to hook the harness around me. Every time the spider legs bounced against me, it took every ounce of discipline I had not to curl up in a ball.

Even after I transferred onto the silks, I remained stiff and wary. There was no playfulness, no seduction between us, and what came out of my violin was noise, not music.

“Cut!”

The cable guys lowered Mateo, and I slid down my silk.

The director met us on stage. “What is the name of your scene?”

I sighed. “The Spider and the Fly.”

“And you’ve known this the entire time?”

“Of course.”

“Look at him.”

Even the quickest flick of a glance made my breath catch. And not in a fun way.

“There’s no time to find another aerial violinist.” He checked his phone. “You have two hours to get back the chemistry that was steaming things up this morning.”

Mateo spoke up. “I have an idea, but I’d have to wear the costume outside. If she can get used to it—”

I snorted. That wasn’t possible. It was too big, too hairy, too—

“Come out with me.” Mateo pushed up his mask and I focused on his beautiful face. “We’ll hit a deli, get picnic stuff and—”

“Draw way too much attention. It’ll never—”

“Not so fast,” the director said. “Just the spider costume. Go to Starlight. Wait twenty minutes so I can get some media types to happen by and we can create some buzz for the show.”

“Very funny,” I said, as deadpan as I could. “Buzz. For the fly.”

But the director was already on his phone. He mouthed, “Go change.”

 

What was my problem? I’d performed in dozens of countries crazy with giant, hairy spiders. I didn’t have a problem with them. But expand them to man-sized…. I shuddered.

The spider was waiting for me in the lobby. I mean, Mateo. Mateo was waiting for me.

“Can’t you keep your mask up?” My most pitiful voice worked and soon I could see his mischievous smile. “You look way too pleased with yourself.”

Instead of answering, he headed for the doors. “Will you help me get through? Francesca threatened my manhood if any of the legs get crushed.”

Even after I opened both doors wide and put down the stoppers, I still had to guide the top two legs through. Which meant I had to touch them. The hair felt like a hipster beard: springy and surprisingly soft. The bottom two legs dragged on the ground, so Mateo slipped his arms out of the second pair of appendages and held up the bottom ones, swinging them like a lady in a hoop skirt.

I smiled. But still, I stayed well wide of the outer reaches of the costume.

“Did you read Harry Potter?” he asked.

“Of course.”

“You remember Lupin—”

“Remembering Lupin makes me teary.”

“There’s the scene with the boggart, where they have to make it seem silly in order to defeat it.”

“Riddikulus.” I put the emphasis properly on the ku. “That’s what this is about?”

He whistled a tuneless tune. Like someone trying to hide something. I waited.

“I may have been wanting to ask you out,” he said.

Heat spread upwards from my chest, but I didn’t look at him; I didn’t want the costume to ruin my bliss. “Here’s the Starlight.”

We stood on the sidewalk, staring into the deli. There was no way he could fit in there. I looked at our reflection. The spider didn’t look terrifying in the window. Not quite silly, but it was an improvement.

I took his order and went in. When I reached the front of the line, there was heavy banging: Mateo was spread eagled against the window. The counter guys looked up and screamed like little girls. I managed to hide my laughter until I finished ordering. The media was there when I got out, so we talked with them and posed for photos with our sandwiches.

Mateo held out his hand and I took it. Suppleness returned to my wrists and to my fingers at his touch.

We might as well have floated back to the theatre and into the deserted orchestra pit.

When he put his arms around me, the spider legs brushed me, so I extended my arms to hold them away. He tightened his right arm around my lower back and held me tightly to him, just like in our opening move, except now we were kissing. Delicious.

“You two ready?” The director peered into the pit.

We jumped apart like naughty teenagers.

Mateo looked down. “Give me a minute.”

That was one snug leotard. I grinned. “The spider appears to have nine legs.”